GUEST PAINTERS
INTERNATIONAL
Interview with
I often include a shadow to contrast with the value of the light, but also to create an internal structure. The contour of a shadow shape that exists within a form has a great potential to speak of the gesture, proportions and anatomy of the form. A shadow shape can also be a wonderful way to create a beautiful, interesting and abstract impression in conjunction with the shape of the light. When a form is partly disguised by the shape of the shadow, it tends to read as more mysterious and atmospheric.
Cornelia
Hernes
Norway
Interview with
Sudhi Ranjan
Mukherjee
India
The sculptures and ornamental designs of the South Indian temples found a wider expression in Santiniketan’s Alpona with an extra aesthetical beauty with an extra game of improvisation for an artist’s imagination. This is just like the melodic improvisation of a raga which gives birth to new melodies and rhythm.
Interview with
Adem
Potas
Turkey
The most difficult part of working with watercolor; you can never paint with watercolor in your reluctant moment. This layer-by-layer rendered technique can make a psychology desire and enthusiastically however, because it sometimes takes 3 sometimes 5 hours. In addition, the material is very important. All your materials, especially paper, paint and watercolor brushes should be fully professional. If I need to give information about this; the paper should be full cotton and cold pressed. If possible, the paint should be selected from fully transparent ones and the brushes should be of high quality squirrel hair and those made for this purpose. Goat hair or synthetics.
